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Talk about throwing your career away….

Definitely improvement from what the graphics were, but it is very random how the live bar is rounded in the order it is in (left side instead of right) which makes it look out of proportion to the subject bar where breaking news is. Does anyone else find it looks kinda random? Below I have made a concept of how it should look when in proportion which looks much better imo.

Well, prime time used to start at 7:30 before it was moved to 8 by the FCC over concerns that the Big 3 had too much power. They later got the 7 pm hour back on Sundays, but by the time the law was repealed for good, syndication companies had been making a mint on that real estate for two decades, and have kept the networks from taking that time back (outside of the few OTA networks that program more or less 24/7 like Ion). TL;DR, it's kinda prime time, but only officially on Sundays, because that's the only day of the week the networks program that hour.

I know I already commented on this thread since the graphics update was announced but here are my thoughts on this, sorry in advance if it goes on a rant/tangent. I don't even know what CNN is doing anymore, it's like for some reason people at the network itself seemed to despise the new look in it's original form that they just had to change it so many times, just for it to look the same pre-update. When you update something, the point of the update is to make that something look DIFFERENT. If we went through all this trouble, just to return back to the pre-Licht graphics then why did we even change them in the first place? Almost everyone on here agreed the update, looked fine enough as it was the little things about it that made it good, like the flipper and the moving of the time, but now that that's been removed, we are left with this mix-match look that just feels out of place. CNN needs actual new lower thirds soon but I fear these updates only push that back.

I don't know if I would be proud to be making this move...

Well isn't 7pm (6pm C/M) is called "Primetime Access"? I don't see that much difference.

Just a total guess but it’s likely they’re also upgrading CG systems at the same time, which takes time to install and test before going on air with. I think they are a mix of Vertigo and Viz and who knows what else, they could be trying to upgrade stations to the same system which makes transferring templates easier.

I now present you Hello News 2 (or The Great News with Hello News signature)

Congratulations to Donald Trump, who has been indicted under all four different CNN graphics variations since the spring. (Yes, I know this is beyond nerdy.)

Like what happened in 1988, it's likely that as far as sitcoms/dramas (what few are left), they'll wait to launch those until the strikes are settled; also expect Kelly to launch late, and Tamron and Sherrie to focus on different topics so we're not getting into 'cast members from non-union Tubi movies' territory as far as guests.

The new set doesn’t look too bad, but I really don’t think the old one needed replacing. It still looked fine to me. I guess they wanted to maximize the use of the space and get rid of the green screen? Just a guess. The graphics are kind of a mess imo. There are some elements that look ok, and there are some elements that look as if they recycled parts of Linear Drift’s CBS O&O package. There’s no consistent color scheme either; it’s as if they couldn’t decide between turquoise/white and blue/yellow. And those intro graphics look older than the old graphics.

Don't like the reduction of the afternoon version of News Central, but at least they didn't cancel it and its morning counterpart. Should have eliminated the ticker all together. There is just too much clutter on the screen imo.

The KTVI piece is fascinating. Let me shed some light on what KTVI was like at the time, and you might understand how this one never saw the light of day. KTVI had adopted Hello in 1984 alongside the other "major" Times-Mirror stations (KDFW and KTBC). They all had similar open animations. All three of those stations (KDFW, KTBC, KTVI) plus WVTM Birmingham then adopted the same look in mid-late 1987: JAM's Yours Truly and the diagonal stripe bar graphics. I believe this comes from that time period. The ND of KTVI from 1986 to 1989 was Sue Kawalerski. Times-Mirror tended to make a lot of decisions at the level of corporate. (A corporate graphics package of the kind the Times-Mirror stations rolled out in late 1987 was not common then!) And they made some disastrous ones at KTVI, the market's third-rated news station (with KMOV and KSDK, two goliaths, in front of them). In November 1986, Lloyd Immel was hired to be one of the lead anchors. Then, just months after the Yours Truly look debuted at KTVI, it was gone. And so too were all the news presenters. In February 1988, KTVI debuted a new anchor team (see the very laughable promo above), which gained the nickname "Gang of Four" in the St. Louis Post-Dispatch. They all came from elsewhere: Kevin Cokely was working for Storer in Washington, Iola Johnson was in radio in Dallas (previously of WFAA), Stu Klitenic came from WXYZ, and Miles Muzio had been a journeyman weatherman already by this point (I believe his last posting was KOIN prior to this). The existing look was blown up (this is when they switched to the Great Prospect track from Bruton, then to Palmer, then to News Central, all in about two years). Apparently their installation had been in the works since August 1987 when a new promotions director came to KTVI. (There's a sign of something.) St. Louis viewers—famous for their resistance to change, as KDNL would later learn—never took to the Gang of Four, all of whom left the market within two years. Kawalerski was evidently forced out, not long after Times-Mirror broadcasting president John McCrory was replaced. In the KTVI newsroom, the news she was out was met with "jubilation" and "euphoria". (She landed at WCIX.) But the hiring of the Gang of Four was a corporate decision, beyond Kawalerski. McCrory was known for his intense involvement in KTVI's affairs. It took Bud Carey, the new T-M broadcasting head; Wayne Thomas, the new GM; and a salvage operation to return them to respectability. Losing ABC for Fox helped; ABC was never much watched in St. Louis, something else for KDNL to learn. Clearly In Touch was far along. It was finished work from Gari, the same company that had already done resings of Hello for them. But the change in promotions director and possibly other factors (the Times Mirror stations graphics package of 1987), and likely the forthcoming revamp of news anchors, likely left this to sit on a shelf. Forgot to post this originally, but some words from Kim Hindrew, who left for WMC in August 1988 when they took away her anchor duties: "They're still wondering what they did wrong. The fact that they would think the people of St. Louis had to accept what they were giving them ... it's an arrogance I don't understand. Then viewers did the only thing they could do: They stopped watching."

Another site — Radio Insight — is reporting that Scripps fired all its GMs today, replacing them with regional VPs overseeing clusters of 6-8 markets. Any Scripps insiders who can verify or offer more info?

On the US feed of CNN International the “Live” bug is kept under the CNN logo in Licht-style. This differs from the parent network which reverted to something close to the original.

WPTZ is adding a 4pm newscast next month: https://www.sevendaysvt.com/vermont/media-note-nbc5-adds-a-new-hour-and-a-familiar-face/Content?oid=38888947

WJLA's set from the now-defunct Park Place Studio was very basic in design, and with Sinclair having chosen to do all of their new builds in-house as of late, I'm not holding my breath on this new look being on par with the other stations in the DC metro market.