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Good Lord, this whole discussion is not worth the webpage it's printed on. There's no grand conspiracy here. You have a brand new building, you show it off. Corporate paid for it, so why not? Heck, The View did a drone fly-through of the building on day 1, showing everything, including this atrium space. Beyond that, the end of March "eviction" for Live is the likely case, but Lord knows delays happen. I'm sure their plan was to be in the studio for the start of this month, but they couldn't, so they came up with a creative, reasonably attractive stopgap measure. Credit to the staff for making this work. I doubt there's anything more to it than that.

CBS has its challenges as do all of the networks, but cutting loose a show at 12:30 am isn't exactly the sign of the apocalypse.

In case you needed an updated exaggerated and catty Post update on the Michael Strahan/Kelly Ripa 'feud' with GMA's upcoming move to Iger, here you go. Oooh, they have to share an elevator and they might see each other, this is the most oppressive workplace outside the Kremlin .

The mod team has established that we have too many of these catch-all threads, and it's not just a logo or correspondent change that's leading to its creation. This specific storyline with the show isn't likely going away anytime soon. It may evolve and eventually turn into a catch-all, but this feels important enough, at this time, to keep this as a single topic discussion.

Doesn't Gray have Raycom Sports, though?

This is better lit than their Upper West Side studio, warmer lighting has really helped all of the shows that moved. The HD quality looks richer. The temporary set looked better IMO, I wish they switched it up more for the new permanent Live set. This is basically what ABC did with World News Tonight, re-create the same thing in a different space. The only set I would've liked to have seen rebuilt the same way was The View, as it looked really good before, but the new set is OK.

Horrible state of affairs. Just 4 months in.

"Dad, what's a gray sport?"

Yeah, no idea where you got that September 1st idea from. @That 00s Show As a new member, please be more discerning and responsible in future posts.

Couple problems: 1) the article is from last year and 2) it says nothing about the CW moving from KFMB-DT2 to KUSI in the timeframe mentioned in the thread title. In another thread (which I believe linked to said article), another user stated that KFMB’s CW contract didn’t lapse until 2026, so unless Nexstar confirms the affiliation will move to KUSI on September 1 (terminating the KFMB contract early), this thread was created prematurely.

WRAL's streaming strategy is a big firehose with multiple services rather than just limiting it to certain websites and services (and times... *cough* Perry Sook ), including an open stream of their WRAL+/WNGT-CD service on YouTube, so this isn't a surprise; just another means to get their news out there. I wouldn't worry about any takeovers; this is just a broadcasting company that remembers the 'broad' part of the name and Fox letting them do so through that affiliation agreement, the same way they carry WAGA's audio on an HD2 radio subchannel through Audacy, and I'd expect this will be the first of many FoxLocal streaming deals (or perhaps a part of the upcoming cord-cutting app in planning).

Nexstar has entered the must-run game. Why? So they can try and own more stations. https://thedesk.net/2025/04/nexstar-fcc-must-runs-ownership-caps-deregulation/ No thanks. They have enough stations as it is. And their tactics of delaying web streams and shaking down viewers for a dwindling pool of retransmission cash is bad enough.

57 years at one TV station? It is unheard of now these days in this business. Yet, longtime KARK camera operator Morsie Eagles did just that. Today, he finally retires at The Morsie Eagles Studio (named in 2018) at KARK. https://www.kark.com/news/kark-4-today/kark-4-news-longtime-camera-operator-morsie-eagles-retires/?fbclid=IwY2xjawJX1BhleHRuA2FlbQIxMAABHS0eLyTCFzdcloLYtNqauQLYZANUA2F69eToVGruBf2P6KCN2ZX8MbUz7A_aem_9QydHpk2FLzzGMCPCj9e3Q

the studios were all built with flexibility in mind — meaning they could easily be shared (like Tamron & The View) and used for other things besides a show that airs just an hour each weekday excluding holidays and hiatus… as opposed to EWN, which is on 7+ hours a day every day.

Network O&Os are sending anchors and reporters. WNBC is sending anchor David Ushry and reporter Gaby Acevedo. I believe WABC sent Mike Marza. I don't know about WCBS.

NBC News web feed on Youtube was in Sky News coverage before taking Craig and Savannah on the Today set at 4AM.

WLFL Fox 22 Ten O'Clock News (March 30, 1998; starts at 25:16) WLFL Fox 22 Ten O'Clock News (January 13, 1995; starts at 1:27) WLNS NewsCenter 6 at 5:30 (Lansing Live!) and at Six (December 21, 1995) KCST (now KNSD) NewsCenter 39 Tonight (July 1985)

Move Closer To Your World got an official release for the first time ever last week: https://bucksco.today/2025/04/6abc-theme-move-closer-to-your-world/ (that article cites this article which might be paywalled: https://www.inquirer.com/arts/6abc-theme-move-closer-to-your-world-release-20250412.html )

I hope even if they call, he has the good sense to say no. There is nothing to gain and everything to lose by coming back. I hope Leon finds peace, sobriety, and health in his next chapter. As someone who spent 15 years in a newsroom, for every person who has a public/visible fall from grace due to alcohol or other substance abuse, there are just as many, if not more, who battle it silently or are in denial about it and manage to fly under the radar. There's no way to quantify the why - but the combination of odd hours, lack of balance, constant bad news content, and high-pressure work environment all likely play a role. Candidly, it's a big reason why I got out when I did. I saw the life outcomes of unmarried or divorced men over 40 who stay in TV news. The odds are not in your favor.

I cannot think of anything more value destructive. Just because Ed Ansin got away with it twice doesn't mean it can work when the product is diluted this much. In a billingual market, no less. Honestly I wouldn't be surprised to see Warren Buffett take the L after a year or two and unload WPLG to Mission so Nexstar can have a CW O&O for Miami. He's had some bad business moves re: media (buying the Media General newspaper chain, helping Scripps buy Ion) but this might be the biggest oopsie.

Yeah….no. The shows are expensive. That is reason to give group management pause and warrants careful evaluation as contracts renew. But the bottom is what matters and if the business benefits from having the shows on those stations, they will stay. Big boys and girls understand business is business. Sometimes you get into a tiff in one area, but no one with an ounce of common sense would base a business decision involving millions of dollars just on spite.

Which would be suicidal and I'm sure the local folks will try to talk New York out of it, but we're talking about a company that utterly refuses to kill a cable channel even as nobody is watching them and subscribers plead with providers to force them to die to get even $4 of relief on their bills. Les Moonves is a jerk and his personal life sucked, but he literally only seemed to be the only adult in the room that could get through to the Redstones and the Viacom board and deal with every CBS division with an iron fist. I would expect next go-around if this sticks, Sony seals a deal with ABC-Disney for distribution and streaming and that if not Netflix, Hulu already has a head start to start streaming the shows just based on Sony/ABC's overall relationships regarding the show alone. Every single negative thing Les feared about a re-merger has come true.

One has nothing to do with the other. No viewer cares a whit that they prerecord shows. They don’t get remotely hung up on the name of a show. What does matter is it’s a stable, reliable performer that brings in the cash via the syndication arm of the Disney octopus. The idea you’d deprioritize something that has worked well on your owned stations over a production schedule change is illogical. Not going to happen in the near future. Not going to happen then either. The situation is not comparable to NBC and the path forward isn’t replicating that in the near term.

There was probably a vacate date of March 31 so it was something they literally could not wait for, and Disney wants to showcase their new building and spaces in a unique way. No harm, no foul here.

KTVI and KDVR would be great candidates for this package... Nexstar has some big FOX stations in larger markets that would make them stand out

THE gold standard of Chicago journalism and investigations at its finest... Carol Marin. Now, she's getting a call from the Order of Lincoln, the state's highest honor. This is a very well deserving recipient. https://www.nbcchicago.com/news/local/veteran-nbc-5-journalist-carol-marin-among-2025-order-of-lincoln-honor-recipients/3674772/?_osource=db_npd_nbc_wmaq_eml_shr&fbclid=IwY2xjawJZuKxleHRuA2FlbQIxMQABHZQgePBQzq7ynFe12dhBzn5t3GZDmuAzKJV7_wWNvf_5URNrYODFWTJp-w_aem_vHG2EjoQOKQmqqdQA3Gnyg

On this day -- April 1, 2025 -- Live aired its final edition from its studio of over 40 years at 67th & Columbus in the Upper West Side.

WPTZ News 5 intro mid 80's Classic WMC ID it says 1985, but I'm sure it's older than that. KMPH TV 26 "Get to know us" presentation 1979. WEAR Gulf Coast News 3 1984 WTAE 4 News 1994 WTVN Action 6 News 1985 Intro

So to break this all down, the new newscasts will be... Weekdays: - 7-9am (a return from when they did WSFL) - 10-11am - 6:30-7pm - 9-10pm (a return in the market since WFOR had to drop it for WBFS once they got The CW) The 10pm will be moved over from WSFL. Weekends: - 8-9am - 10:30-11am - 5:30-6pm - 6:30-7pm - 9-10pm (News + Sports) I'm surprised they're getting rid of the weekend 10pm. I mean, what will they do with that? Other than that, WSVN must be a bit nervous but ready to compete in what will be a WSVN vs. WPLG market.

I don't think it has anything to do with Fox News. They started de-emphasizing network branding when NBC bought WTVJ, and I assume they've stuck with that approach ever since then because it's worked for them.

If anything screams '2000s imagining consultants imagining what the kids like', it was their branding the most at that time; "43 The Block" remains on the hill of worst station brandings above "JoeTV" and that short time KWGN was "The Deuce". "Cleveland's 43" is a signal that there are finally adults in the room.

I was wondering what on earth that "Remarkable Woman" special was on the CW Sunday night; it seemed so vague as to be a time-buy from some group you expect to carry a generic 'salute to gospel' or 'independent film showcase (of whatever they could get cheap)' that you see on Sundays on a station that doesn't have the NFL doubleheader and the home team is on the other station. It felt like some kind of bizarre Queen for a Day rehash. It also seems kind of insulting to anyone not in a Nexstar market, because the states without a station just came off as having very 'unexceptional women' (they drew 11 randomly from NewsNation but like...just spread them across each state. There's no reason outside Perry's ego that Alaska shouldn't have a 'remarkable woman'). Outside of sports and the good shows they bought, The CW is really no better than the 'i for infomercial' era of Ion at this point.

The smartest thing Apollo could do right now is split the TV and radio stations into two separate companies. They'd have a better chance of selling both if they did that.

I'm sure there will be no conflict of interest at all. /s Don Trump, Jr. and Lara Trump ink deals with Salem. https://radioinsight.com/headlines/298639/salem-enters-into-deals-with-donald-trump-jr-lara-trump/?utm_source=facebook&utm_medium=jetpack_social&fbclid=IwY2xjawJqcq1leHRuA2FlbQIxMQABHh4XRQ5qcZEbezeUtbzef6YvBCW84pEWTUBthHly8EpvIHvCofXpQQl-wsLf_aem_XBkJR7XQ6rnkWO6l5TqrFQ

It’s hardly the point of this evening’s breaking news but WABC’s new location is proving to be a prime vantage point for this story. Mike Marza has been reporting from the outside deck with the crash site in the water behind him.

Not sure what to make of your unnecessary hyperbole, nor did anyone suggest a "grand conspiracy." I simply pointed out that while Disney PR told People Magazine that this was intentional, I suspected it wasn't. You essentially just restated what I already said -- there was likely a delay necessitating it. That's all.

The logo is ridiculously small. You need a magnifying glass

Yes! He deserves that recognition.

Josh Cozart is the new Chief Meteorologist for KOIN

Jane Pauley and her agent can do the funniest thing ever... (I kid, I kid)

Deborah Norville will be leaving Inside Edition after 30 years as its host. https://deadline.com/2025/04/deborah-norville-leaving-inside-edition-1236357493/

I think the main issue is cost. First, you have to subtract the amount you're getting for the infomercial. So this venture is already in the hole. Then you need to add talent costs; the KABC and KCBS shows have outside talent in addition to the sports anchor. Then you have to sell it to an advertiser or two. KCBS and KABC seem to have a couple of car dealers they can call on when they want to do additional programming. I haven't seen anything consistent on KNBC. So, it's a tough ask. Additional opinion that no one asked for: "The Challenge" is bad enough 17 weeks a year, expanding it would benefit nobody.

For April Fools I would have expected the "Mix of 96" to make an appearance

Lee Peck is now one of the morning anchors at WALA in Mobile. He was an early evening anchor before, and filled in as primary anchor after Byron Day's departure. Eric Reynolds is apparently still at the station, but his whereabouts are unknown. He was a longtime morning anchor at the station, even anchoring with his wife at one time. I'm hearing that it could be health-related, so I send my best wishes to him and his well-being.

So basically they've become "Early Today"...

A lot of stations have installed in weather centers the abiility to interrupt for a cut-in and a mini switcher for meteorologists so they can control what makes air during a cut-in without a director or a crew. Because hub operators are running multiple stations at once, it is a lot easier for a station to call up and say "hey, we're at a risk of severe weather, activate the interrupt switch in the weather center at (call letters) so we can get on air immediately if we get a warning" and they will - so it isn't a game of telephone for the meteorologist to get on air quickly. After the cut-in, the call likely serves a couple purposes. On the technical side, they likely have to reset the switch if there's a chance of another cut-in, or deactivate it if the risk is over so a rogue elbow bump doesn't disrupt programming. Operationally, it is likely standard operating procedure to call so the hub operator can make sure the discrepancy report is accurate for the times of the cut-in and what ads were missed and need to either be made good or have billing adjsuted.

I agree with this, but @nathannahdoes make a valid point previously that suggests this cut, plus all the other cutbacks at CBS, equals one heck of a sad equation.

They picked a nice skyline shot behind the desk and yes the rest is barren. Not using the set design techniques to create layers and depth.

I'm looking forward to a time when the national anthem plays and broadcasts end for the day because it's too expensive to run anything anymore. Remember, RFK is implementing a rule which wouldn't allow big pharma to advertise. This is a what I primarily see as the advert stream for evening newscasts. So the era of network evening newscasts may just end.

Instead, they'll live off of syndicated crap game shows or garbage programming. Hey, someone has to push the trash talkers and court shows on the unwashed masses. (Also, are there actually twelve episodes of Family Feud every day?) Scripted programming is not in the past; it just often ends up on streaming services because the broadcast networks generally only want shows that have the broadest appeal. Sports and reality shows succeed at that, partly because they're focused on physical ability (sports), competition (most reality shows on the networks), or relationship drama (the farmer wants a wife? Good for him, but absolutely none of my business). On the scripted side, these means a lot of procedurals, both police/crime-solving (CSI, NCIS, the entire Dick Wolf multiverse) and medical (The Pitt, Doc, House, etc.). The more intellectually-stimulating scripted shows wouldn't have a chance of being picked up by the broadcast networks, and cable channels are not grabbing as many of them as they used to as they themselves are dumbing their content down to widen their appeal. (Why do you think BBC America shows Law & Order repeats?)