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This is a fine set for Spokane and market 73. Folks, I think we need to collectively come to the terms with the fact that the money is gone, everything is more expensive, and design trends are different than they were 20 years ago.

Good Lord, this whole discussion is not worth the webpage it's printed on. There's no grand conspiracy here. You have a brand new building, you show it off. Corporate paid for it, so why not? Heck, The View did a drone fly-through of the building on day 1, showing everything, including this atrium space. Beyond that, the end of March "eviction" for Live is the likely case, but Lord knows delays happen. I'm sure their plan was to be in the studio for the start of this month, but they couldn't, so they came up with a creative, reasonably attractive stopgap measure. Credit to the staff for making this work. I doubt there's anything more to it than that.

What I will give them is the "local" accent is instantly recognizable to anyone who has spent time in Spokane as the Monroe Street Bridge. For market 70-something in 2025 it's not bad, and in fact pretty good. It will resonate with a local audience. Some of these other "we took design cues from local architecture" sets use a slightly different color faux brick and expect people to get it.

Oh wow. The design of this set took my breath away. Im sure it might have a local meaning but that set it awful. I dont get this trend over past decade of shoehorning in "local" materials or designs no matter how minuscule it might be. That curved bridge thing with a monitor shoved in front of it makes it looks like a local high school talent show production in the school gymnasium/auditorium. I expect to see some teenagers come out and tap dance or try singing in front of it.... Let alone presenting a serious newscast. The logo, brand and graphics are just plain bad. Yeesh. The NonStop local with the red swish looks like a early 2000s dot.com tech start up. It so outdated. And the alt logo with the KHQ and Peacock on top of it looks hideous and just slapdash. Q6 LOCAL NEWS sounded better.

In case you needed an updated exaggerated and catty Post update on the Michael Strahan/Kelly Ripa 'feud' with GMA's upcoming move to Iger, here you go. Oooh, they have to share an elevator and they might see each other, this is the most oppressive workplace outside the Kremlin .

The mod team has established that we have too many of these catch-all threads, and it's not just a logo or correspondent change that's leading to its creation. This specific storyline with the show isn't likely going away anytime soon. It may evolve and eventually turn into a catch-all, but this feels important enough, at this time, to keep this as a single topic discussion.

Horrible state of affairs. Just 4 months in.

Doesn't Gray have Raycom Sports, though?

This is better lit than their Upper West Side studio, warmer lighting has really helped all of the shows that moved. The HD quality looks richer. The temporary set looked better IMO, I wish they switched it up more for the new permanent Live set. This is basically what ABC did with World News Tonight, re-create the same thing in a different space. The only set I would've liked to have seen rebuilt the same way was The View, as it looked really good before, but the new set is OK.

Every step and element of a set- from the first design meeting through the final light being plugged in is about money. Larger owners, like Nexstar for example, can get away with the same "set in a box" being mass produced which allows for some of the little design touches to become attainable in the budget. A much smaller company like Cowles, the owner of KHQ, has to pick and choose with the budget they likely have. They chose tech and an overall set that they likely hope will last as long as the old set did for them.

"Dad, what's a gray sport?"

Yeah, no idea where you got that September 1st idea from. @That 00s Show As a new member, please be more discerning and responsible in future posts.

Couple problems: 1) the article is from last year and 2) it says nothing about the CW moving from KFMB-DT2 to KUSI in the timeframe mentioned in the thread title. In another thread (which I believe linked to said article), another user stated that KFMB’s CW contract didn’t lapse until 2026, so unless Nexstar confirms the affiliation will move to KUSI on September 1 (terminating the KFMB contract early), this thread was created prematurely.

WRAL's streaming strategy is a big firehose with multiple services rather than just limiting it to certain websites and services (and times... *cough* Perry Sook ), including an open stream of their WRAL+/WNGT-CD service on YouTube, so this isn't a surprise; just another means to get their news out there. I wouldn't worry about any takeovers; this is just a broadcasting company that remembers the 'broad' part of the name and Fox letting them do so through that affiliation agreement, the same way they carry WAGA's audio on an HD2 radio subchannel through Audacy, and I'd expect this will be the first of many FoxLocal streaming deals (or perhaps a part of the upcoming cord-cutting app in planning).

Nexstar has entered the must-run game. Why? So they can try and own more stations. https://thedesk.net/2025/04/nexstar-fcc-must-runs-ownership-caps-deregulation/ No thanks. They have enough stations as it is. And their tactics of delaying web streams and shaking down viewers for a dwindling pool of retransmission cash is bad enough.

This. It's also not wildly technically complex. It's a bunch of big TVs, and that's perhaps one area where everything is not truly "more expensive"... Both consumer and commercial displays have come way down in price. A 75' Samsung 4K UHD HDR smart TV is slightly cheaper than it's commercial counterpart. The fabrication of the set probably cost much more than those displays did total. They also have like, a whopping total of 20 lighting fixtures, which is why it's lit so flat, and why it look underwhelming. Again, this is a trend, because good lights are still expensive (The new WABC set is lit with a lot of Skypanel S30s and S60s (linking the new version because the old version is on clearance sale), with the money WABC spent on just lighting their set, they could have probably bought the KHQ set 10 times over.) and KHQ doesn't have the money to do that. They seem to have dumped their conventional lighting fixtures (non-LED and non-Fluorescent) visible in that last broadcast from the old set, because those are also expensive to operate. Yeah, it doesn't look as good as it could if they had a massive big-market budget. But this isn't a big market, it's Spokane, and it's still a nice modern look.

It's not about money, as I said the tech is there. It's bland, lifeless set.

This seems a hard concept for many.

John Wheeler is only the second chief Meteorologist that WDAY-TV Fargo has ever had. Come May 16th, they'll have to look for a third once John decides to enter a new phase after 40 years there... retirement. https://www.facebook.com/story.php?story_fbid=1073102168184588&id=100064544448955

The new set debuts today at 5pm. It’s similar to sister station KESQ’s new set that debuted late 2024. https://www.facebook.com/share/r/1BvsvCdg37/?mibextid=wwXIfr

That is one of the laziest brand names. I'm guessing AI created that. When have you seen a meteorologist slackin' on air? The only one that I see not 'Weather Ready', is Nexstar with a two-hour delay which can have consequences during a weather emergency.

1988 WCMH 4 Doug Adair & Angela Pace

the studios were all built with flexibility in mind — meaning they could easily be shared (like Tamron & The View) and used for other things besides a show that airs just an hour each weekday excluding holidays and hiatus… as opposed to EWN, which is on 7+ hours a day every day.

Very concerning. CBS News feels the need to bow down to a president with authoritarian tendencies to have their Paramount/Skydance merger go through.

Network O&Os are sending anchors and reporters. WNBC is sending anchor David Ushry and reporter Gaby Acevedo. I believe WABC sent Mike Marza. I don't know about WCBS.

NBC News web feed on Youtube was in Sky News coverage before taking Craig and Savannah on the Today set at 4AM.

WLFL Fox 22 Ten O'Clock News (March 30, 1998; starts at 25:16) WLFL Fox 22 Ten O'Clock News (January 13, 1995; starts at 1:27) WLNS NewsCenter 6 at 5:30 (Lansing Live!) and at Six (December 21, 1995) KCST (now KNSD) NewsCenter 39 Tonight (July 1985)

Move Closer To Your World got an official release for the first time ever last week: https://bucksco.today/2025/04/6abc-theme-move-closer-to-your-world/ (that article cites this article which might be paywalled: https://www.inquirer.com/arts/6abc-theme-move-closer-to-your-world-release-20250412.html )

I hope even if they call, he has the good sense to say no. There is nothing to gain and everything to lose by coming back. I hope Leon finds peace, sobriety, and health in his next chapter. As someone who spent 15 years in a newsroom, for every person who has a public/visible fall from grace due to alcohol or other substance abuse, there are just as many, if not more, who battle it silently or are in denial about it and manage to fly under the radar. There's no way to quantify the why - but the combination of odd hours, lack of balance, constant bad news content, and high-pressure work environment all likely play a role. Candidly, it's a big reason why I got out when I did. I saw the life outcomes of unmarried or divorced men over 40 who stay in TV news. The odds are not in your favor.

I cannot think of anything more value destructive. Just because Ed Ansin got away with it twice doesn't mean it can work when the product is diluted this much. In a billingual market, no less. Honestly I wouldn't be surprised to see Warren Buffett take the L after a year or two and unload WPLG to Mission so Nexstar can have a CW O&O for Miami. He's had some bad business moves re: media (buying the Media General newspaper chain, helping Scripps buy Ion) but this might be the biggest oopsie.

Yeah….no. The shows are expensive. That is reason to give group management pause and warrants careful evaluation as contracts renew. But the bottom is what matters and if the business benefits from having the shows on those stations, they will stay. Big boys and girls understand business is business. Sometimes you get into a tiff in one area, but no one with an ounce of common sense would base a business decision involving millions of dollars just on spite.

Which would be suicidal and I'm sure the local folks will try to talk New York out of it, but we're talking about a company that utterly refuses to kill a cable channel even as nobody is watching them and subscribers plead with providers to force them to die to get even $4 of relief on their bills. Les Moonves is a jerk and his personal life sucked, but he literally only seemed to be the only adult in the room that could get through to the Redstones and the Viacom board and deal with every CBS division with an iron fist. I would expect next go-around if this sticks, Sony seals a deal with ABC-Disney for distribution and streaming and that if not Netflix, Hulu already has a head start to start streaming the shows just based on Sony/ABC's overall relationships regarding the show alone. Every single negative thing Les feared about a re-merger has come true.

One has nothing to do with the other. No viewer cares a whit that they prerecord shows. They don’t get remotely hung up on the name of a show. What does matter is it’s a stable, reliable performer that brings in the cash via the syndication arm of the Disney octopus. The idea you’d deprioritize something that has worked well on your owned stations over a production schedule change is illogical. Not going to happen in the near future. Not going to happen then either. The situation is not comparable to NBC and the path forward isn’t replicating that in the near term.

There was probably a vacate date of March 31 so it was something they literally could not wait for, and Disney wants to showcase their new building and spaces in a unique way. No harm, no foul here.

The Allen Wisconsin network is having a meltdown; WAOW has been stuck having to cover WKOW's newscasts since yesterday (and having to present their news that's completely irrelevant to Madison to pad out shows), along with having to do their statecasts in the morning. At this point, you might as well consider Madison, La Crosse/Eau Claire and Wausau two-operation news markets because it seems like Byron doesn't even care about having a proper third news operation (and Rockford will be inevitably hubbed out soon enough).

Steve Doocy is getting a new role with reduced hours on F&F. He’ll be around 3 days a week to do segments from Florida while Brian, Ainsley and Laurence will remain as hosts. Steve has always been the much more grounded force on that show for 30 years now. https://x.com/FoxNews/status/1917928235641299372

I won't watch until the Continental Soccer League ends up there...with all of the Ariagas, Barriaga, Pizzoza, Aruglia, and a deciding match between Mexico and Portugal...

WUAB has had either horrendous or generic branding ever since “Hometeam 43” in 1999. Between “Hometeam”, “(my)43 the Block,” “CLE43”, and “UPN/my/CW 43”, I don’t think Raycom has put any effort into branding WUAB, or even WOIO for that matter. Honestly, it’s nice to see Gray trying.

A forum topic discussing the longest running news magazine on network television. The New York Times reporting major news that will affect the future of 60 Minutes. Executive Producer Bill Owens will exit the program. He cites the fact that he doesn't feel like he has editorial control and freedom to be separated from the overall control of CBS News and its parent company, Paramount. This comes as they've been facing turmoil from the current administration. "Over the past months, it has become clear that I would not be allowed to run the show as I have always run it, to make independent decisions based on what was right for ‘60 Minutes,’ right for the audience. So, having defended this show — and what we stand for — from every angle, over time with everything I could, I am stepping aside so the show can move forward."

If anything screams '2000s imagining consultants imagining what the kids like', it was their branding the most at that time; "43 The Block" remains on the hill of worst station brandings above "JoeTV" and that short time KWGN was "The Deuce". "Cleveland's 43" is a signal that there are finally adults in the room.

It’s textbook. We’ve seen this play out over and over in countries throughout history and around the globe. It never, ever ends well.

That would be obfuscation and obviously actionable if a company claimed in good faith to buy all the assets and then sell the ones they don't want off immediately against the seller's will. Yes, Apollo is not going to get anyone to take but a small fraction of them, but if somehow they do get a deal, there will be a clause where they can't be sold off for a certain period of time or if they go bankrupt.

A KOIN open I haven't seen before as it nears its end with the Third Coast package.

It’s hardly the point of this evening’s breaking news but WABC’s new location is proving to be a prime vantage point for this story. Mike Marza has been reporting from the outside deck with the crash site in the water behind him.

Don't be surprised if out of retaliation for this, CBS doesn't renew the contracts for the 2 game shows in the O&O markets that air it in Boston, Dallas, & Minneapolis/St. Paul.

Not sure what to make of your unnecessary hyperbole, nor did anyone suggest a "grand conspiracy." I simply pointed out that while Disney PR told People Magazine that this was intentional, I suspected it wasn't. You essentially just restated what I already said -- there was likely a delay necessitating it. That's all.

I am sure WUSA9 is salivating at the chance to hire him. Kristen Pierce out at WISN after 3 years: https://www.jsonline.com/story/entertainment/television-radio/2025/04/08/wisn-tv-channel-12-co-anchor-kristin-pierce-leaves-milwaukee-station/82996318007/ This really shows the state of the business that a top-rated Hearst station can’t hold onto talent anymore. WISN has become a bit of a revolving door ever since the old guard started retiring.

The logo is ridiculously small. You need a magnifying glass

Apparently this spot is for this week only - full studio in a week. https://people.com/find-out-where-kelly-ripa-and-mark-consuelos-will-film-live-before-they-premiere-new-set-11708730

It is Monday, April 7, 2025. And yes, it's time. Live with Kelly & Mark officially debuted (from the Great Room on 10th floor) at its new home of 7H². Reminds me a lot of the studio of the first season of Anderson Cooper's talk show. (Coincidentally and ironically, he was Live's final guest at the old UWS studio.)